We typically think of insects as pesky critters that make us squirm. Caterpillars, flies, and moths are not what many would consider the winners of Mother Nature’s beauty pageant.

But in the hands of imaginative jewelry designers, these creepy crawlers become majestic winged creatures dressed up in diamonds, rubies, pearls, and other spectacular gemstones. And just as a caterpillar turns into a butterfly, master jewelers take raw elements and transform them into wearable works of art.

Victorian (circa 1865) Egyptian revival scarab watch. Courtesy of Mona Nesseth and Michelle Laurenti

This Victorian (circa 1865) Egyptian revival scarab watch is crowned with a pharaoh’s head of carved carnelian and a headdress of green and blue enameled gold. It supports a pendant of an enameled scarab with ruby eyes and rubies and diamonds set in the wings. Press a button at the base and the wings open to reveal a small watch set in engraved gold. The underside of the scarab is also realistically engraved – the finishing touches of an exceptionally complex piece.

caterpillar made of pearls with ruby prolegs and diamond eyes. Gift of Avi Raz of and Pearls, Inc. (c) GIA & Tino Hammid

Creating a caterpillar out of pearls is a leap of creative genius. The body is one large freshwater pearl formed when four pearls grew together in an oyster. The caterpillar’s head is a medium-dark gray keshi pearl set with two full cut round brilliant diamonds for the eyes and nine bezel-set cabochon rubies for the prolegs. The leaf below the caterpillar is another freshwater cultured pearl; the gold leaf on the right has 27 round cut dark-green sapphires. This caterpillar is so beautiful that it doesn’t even need to turn into a butterfly.

‘Zen’ cicada brooch. Courtesy of Wallace Chan. Photo copyright Wallace Chan.

Wallace Chan’s one-of-a-kind ‘Zen’ cicada brooch is startlingly lifelike. Notice the hairs on the legs ; the veins on the hand-carved mother of pearl wings; the beautiful black opal head. Other painstaking touches by Chan include the ruby eyes and the diamond the cicada holds with its legs . The cicada has long been celebrated as the symbol of Zen in Chinese poetry. This cicada design, iconic to Wallace Chan, was inspired by a calligraphy artist from the Tang dynasty, who wrote a poem about the winged creature.

“Moth Enhancer” with Brazilian crystal opal body. Courtesy of Wallace Goldsmithing.

An Art Deco moth? Sounds strange, but it perfectly describes this design from Wallace Goldsmithing’s Opal Natural Wonders Collection. Layered yellow and white gold gives the “Moth Enhancer” an architectural feel. The angular lines of the wings make it look as if it were getting ready to take flight. The dazzling 25-carat Brazilian crystal opal body makes it look a bit surreal.

Tony Duquette’s ‘Fantastic Cicada’. Courtesy of the Anthony & Elizabeth Duquette Foundation for the Living Arts.

Hollywood set designer Tony Duquette brought an unmistakable theatrical flair to his “Fantastic Cicada.” The malachite body is dramatic. The unique use of enamel paint on the legs and dangling appendages showcase Duquette’s sensibility as a costume designer. Its sharp points and rough edges make it feel like this insect belongs in Little Shop of Horrors.

Praying mantis made from silver. Gift of Robert F. Officer.

This praying mantis is an especially unusual piece. The sculpture is a solid silver cast of a real praying mantis (a dead one was used to make the mold), making it an exact replica. The bottom wings showcase the ancient and difficult Japanese mokume gane technique , which involves welding thin layers of different metals together without solder and flux . The resulting wood grain appearance is the tell-tale sign of mokume gane. The upper wings were the artist’s inspiration. The finished piece looks like it could be out hunting for metallic prey.

Tony Duquette’s ‘Phoenix Spider’. Courtesy of the Anthony & Elizabeth Duquette Foundation for the Living Arts.

Although not technically an insect, we couldn’t resist adding this spectacular spider to the mix. .” This 1970s brooch features an ingenious use of enamel, accentuating the malachite body and pearled head and hanging pearl sack. This is no everyday arachnid: she is the queen of her realm, a goddess ready to feast or give birth to a new brood.

The fashion heroes of the insect world used to be the showy butterflies, ladybugs or dragonflies. What do you think about this latest cast of creatures? Would they have a place in your jewelry wardrobe?

The post Incredible Insects appeared first on GIA 4Cs Blog.

A timeless favorite, butterfly jewelry is often breathtakingly beautiful – and highly symbolic.

Consider how the humble caterpillar wraps itself in a cocoon. After about ten days it emerges as a butterfly, the once-earthbound dweller now free to flit from leaf to leaf. This spectacular metamorphosis speaks to our own potential for growth and transformation.

It comes as no surprise, then, that the butterfly has charmed jewelry designers for centuries. We now invite you to soar across the decades and gaze at some bejeweled beauties.

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Buzz Gray and Bernardine Johnston, the creators of this complex brooch, are famous for selecting and cutting unusual gemstones mined from remote locales. Their masterful handiwork and gemstone selection makes this butterfly take flight.

The vivid orange spessartine that is the body stands in sharp contrast to its delicate enamel wings, giving it a luminous glow. Black accents on the wings fall in symmetrical patterns, which are exceptionally difficult to create. These are some of the little details that make this a masterpiece.

Orange spessartine garnets brighten this brooch, along with colorless diamonds and green tsavorite garnets. Courtesy of Buzz Gray and Bernardine Johnston.

Diamond cutting methods were rudimentary when this antique piece (circa 1850) was made, but notice how the diamonds in the wings are graduated in size, starting as small flecks at the base and growing to larger rose-cut ones at the tips. This accomplishment would have been quite a challenge back then, and shows the craftsmanship of the designer.

Another nice embellishment is the scalloped edges of the wings, which give the butterfly a lifelike appearance. The brooch was probably worn with pearls or ribbons, or as a hairpiece.

Courtesy of the Neil Lane Collection.

A beautifully cut peridot and a garnet comprise the body of this luminous butterfly. The asymmetrical patterns in the wings are reminiscent of Art Nouveau jewelry; the use of negative space in the wings evokes veins.

One novel quality about this piece is that the wings are on springs, so they move with the wearer – an impressive and difficult design feat. This makes the butterfly more than a static creation, but something that flutters to life when touched by motion.

Body is a 12.24 carat peridot. Wings are peridot and diamonds. Eyes sparkle with spessartine garnets. Courtesy of Buzz Gray and Bernardine Johnston.

This exquisite butterfly is particularly lifelike. Two rose-cut diamonds at the tip of the wings imitate the camouflage patterns of real butterflies.

Brilliant magenta and cobalt-blue garnets that are the wings make for spectacular contrasts, and reveal exceptional micro-pavé work. The blackened gold antenna is a soothing counterpoint to the crash of colors.

Butterfly brooch in 18K blackened gold with articulated wings and accented with rose cut diamonds, round diamonds, pink and blue sapphires and tsavorite garnets. Gift of Dr. Gary R. and Barbara E. Hansen.

These butterfly designs are a testament to jewelry inspiration and innovation. Tell us which looks make your hearts go aflutter!

*Main image of pearl butterfly courtesy of Paula Crevoshay.

The post Transformation: Butterfly Jewelry appeared first on GIA 4Cs Blog.